Newspapers also reported the large sums of money, ranging from twenty million to two billion dollars, that Nkoloso requested from Israel, Russia, the U.S., the United Arab Republic, and UNESCO. When the pilot refused to stop the plane so that he could get out and walk on the clouds, Nkoloso made up his mind to enter the space race. The other cadets carried a Zambian flag and a staff in the shape of “a crested eagle on a dinner plate atop a sawn-off broomstick.” Nkoloso said he had been inspired by his first airplane flight. Nkoloso’s dog, Cyclops, was to follow in the paw prints of Russian “muttnik” Laika. Matha Mwamba, sixteen, was headed for Mars. (They were quick to explain that these were not space suits: “No, we are the Dynamite Rock Music Group when we are not space cadets.”) Godfrey Mwango, at twenty-one, had been tasked with the moon landing. His astronauts sometimes wore green satin jackets with yellow trousers. Nkoloso wore a standard-issue combat helmet, a khaki military uniform, and a flowing cape-multicolored silk or heliotrope velvet, with an embroidered neck and festooned with medals. “But I’ll be laughing the day I plant Zambia’s flag on the moon.” “Some people think I’m crazy,” Nkoloso told a reporter for the Associated Press. Others wondered if it was “a semiserious space program” or “a useful publicity stunt.” Their interviews with Nkoloso did little to clarify whether his space program was serious, silly, or a sendup. “We do not know whether to take the announcement of this news from Lusaka seriously, or whether to conclude that Zambia somehow has been victimized by a Madison Avenue type,” one confessed. Time’ s whimsical footnote prompted a flurry of interest from foreign reporters. Already Nkoloso is training twelve Zambian astronauts, including a curvaceous 16-year-old girl, by spinning them around a tree in an oil drum and teaching them to walk on their hands, “the only way humans can walk on the moon.” He is Edward Mukuka Nkoloso, a grade-school science teacher and the director of Zambia’s National Academy of Science, Space Research and Philosophy, who claimed the goings-on interfered with his space program to beat the U.S. From LA Pro Workshops to Private Industry Consultations, Catapult gives talent the tools, training, and know-how needed to launch themselves toward a successful career path in the entertainment industry.One noted Zambian failed to share in all the harmony. Having a clear direction and establishing definitive goals places you in the strongest position for success. Ok, so you’re mastering your craft and expanding your business knowledge, but now what? Now you need a strategy to execute. Whether it’s understanding industry perspectives, learning to leverage your resources, or developing your brand, Catapult aims to arm actors with the tools and insight they need to navigate the entertainment industry. Being a good actor simply isn’t good enough, you also have to be an educated entrepreneur. Catapult provides a variety of workshops, classes, coachings, and consultations to train and develop your craft at a professional level within the TV/Film industry.Īll too often, incredibly talented actors are overlooked because they don’t understand the business of Show Business. Mastering your craft is the first step to becoming a successful actor, and if it’s overlooked, you stand little to no chance of success. Train, train, train, and then train some more! Everyone wants an opportunity, but if you’re not prepared, that opportunity quickly becomes a detriment. Our goal is to help clients develop their craft, understand the industry, and position themselves for success. Founded on integrity and authenticity, we always put people before profit and continually strive for excellence. Our mission is to connect talent with the right people and the right path.
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